The first doesn’t really come in handy on a guitar. Pyro-electrics and piezo-electrics are connected in a sense that they are similar but with a different premise: pyro-electrics utilize a heat source on the base material to engage an electrical charge, whereas piezo-electrics use pressure. A simplified explanation on how piezo works. Electricity plays a major role in practically every scientific field, for instance pyro-electrics and piezo-electrics. Electricity isn’t just scientifically monopolized by electromagnetism. His work was to be crucial to the study of physics, mathematics and later even quantum mechanics, and cannot be disconnected from what we as guitar players do on a very basic, scientific level. The field got a major boost with the equations of Maxwell, which describe all possible behaviors of electromagnetism. Various scientists were exploring how magnetic fields, light, electricity, conductivity and many other physical phenomena behaved. The end of the 19th century is when experimentation began with electricity, as scientists developed some feel on how solid properties behave in some conditions. How did the guitar develop to what it is today? How do our views change on what constitutes good tone? Those kind of questions keep me occupied during the slow moments of a day, and one day I was asking myself the question: why do we, as electric guitar players, predominantly use sound systems based on electromagnetism and not on piezo-electrics? To answer that question I dove deep in history to see how the two fields, electromagnetism and piezo-electrics, developed to where they are today. Aside from some light finish scratches on the back and a few tiny nicks around the edges of the body, this bass shows no other notable wear.Ī Coffin Case hardshell case is included.I am always intrigued in how things developed. The instrument is cosmetically very clean, with beautiful tiger stripe flame figuring on the bookmatched veneer maple top, which has a deep bluish purple burst finish. The battery fits cleanly beneath the treble side F hole and required zero mods to install. The simple electronics work as they should, and an active tuner has been added beneath the volume knob with a push/pull knob to activate the feature. On the headstock, the stock tuning machines turn smoothly and hold pitch as they should. The neck has a full 34" scale, with 21 nickel silver jumbo frets that have perfectly well rounded crowns and show virtually no wear. The maple neck has a medium C shape profile, with a light gloss finish, and a slab rosewood fretboard that sports pearl dot inlay. The bass plays quite well with comfortable action and fresh roundwound 45-105 strings, courtesy of our techs here at Mike & Mike's Guitar Bar who have dialed this instrument in to perfection. This bass boasts an alder body, maple neck, and veneer flame maple top, weighing in at 9lbs 8oz. With a single volume control and center dent blend pot for dialing in the blend of fundamental low end thickness and top end clarity, this bass is a versatile tool, worthy of stage and studio work. The perfect balance of acoustic and electric tonalities, this bass features a single humbucker, with a piezo pickup beneath the bridge, giving you equal parts thump and cut. Up for sale, a Yamaha BEX4 acoustic electric semi-hollowbody bass in exceptional condition and in perfect working order.
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